Wednesday, December 29, 2010

The Rest of the Story.....

Now that this South Carolina elf finished the "project" and it's been safely delivered and opened by my dear, dear friends in NY, I can share the rest of the story :)

When Rob and I lived in western NY, we made close friends with our neighbors, Mary Jo, Dave and their three children, Shannon, Bridget and Jesse.  Jesse was just a wee tyke when we first moved there. Not having children of our own, it was so much fun to watch the kids as they grew.


Our moving away didn't set well with any of us and I promised the kids we'd always stay in touch. Each Christmas I find great joy in creating special ornaments for Shannon, Bridget and Jesse. Perhaps one year, I may even get them delivered before Christmas!!

This year I chose to send a bit of the SC lowcounty to them. I got to thinking about the longevity of the pine cone ornaments - would they stand up to the test of time? I also wanted to let the kids know about the natural items I chose for their ornaments. Okay, how about a nature journal card to go with the ornament? Realize now, that the clock is ticking and we're well into December when the project is finally starting to take shape...... no pressure here :)
click to enlarge

Here's how they turned out....






And here's what makes my heart sing!

Thanks for the great note, MJ! I'm soooo happy the kids like their ornaments!


Wednesday, December 22, 2010

Full Moon, Winter Solstice and oh by the way... a Total Lunar Eclipse!

I swear, ever since I started my Full Moon Series, the most wonderful celestial events have occurred :)

The weather report looked good. On the cold side, though (okay.... cool for you folks in the north) . I knew I'd have to be wearing my gloves. At least I could get away with the thinly lined Isotoners.

I set the alarm for 2 a.m., but like all times when I have to get up unusually early, I really didn't get any sleep - I was up and out by 2! 


I was soooo excited, I decided to somewhatly  plan my journal page. This is a first for me and I must say from now on, I'm just going to let the page just happen. I selected Fabriano soft press - new to me.
I laid out my supplies, had all my clothes ready to go, along with camera, monopod and bins.

Ahhhhhh! Clouds! Cottonball puffs all over the place! But, at least there was some space between them and by 2:30 they dissipated.

The eclipse was well underway - just about a quarter of the moon was visible.  There was a colorful ring around it, too. I decided to used the upper left of the page for the initial view.

I really liked how the paints and water were reacting on the paper. The cold temps (37 degrees) seemed to make the paint take longer to dry so I painted the blue box to be ready for the final show.  Then, I moved onto a Fabriano HP sheet -  also new to me. I love painting on a HP finish.
It's very immediate and there's very little you can do as far as corrections are concerned. It encourages freedom! I did three vignettes, working from left to right.  You can see my stop and start marks. This brand of HP is a bit softer than Arches. I'm going to really enjoy working with it.

I added the dark blue box today so that Orion could have a home :)

I was back in bed by 3:30 with a huge smile on my face :)

Now, why would I rather just let the page happen versus planning the design before I get to the event to paint?  Total loss of freedom -  on site and later on when adding the type. The first piece was a total design challenge. Thank goodness for tissue paper!   I went through several drafts while deciding where to say what :)

I hope you, too, were able to enjoy this glorious celestial event!

Saturday, December 18, 2010

Sneak Peak at New Project


And, that's all I'm saying :)
........Stay tuned!

Monday, December 13, 2010

A Chilled Visitor - Thankfully!!

Imagine my surprise when my dog did a big straight up leap on the sidewalk outside of our house...... "What are you doing, you silly boy?"  Y I K E S!

Luckily, we were coming back from our afternoon walk. I brought the dogs into the house, ran for the camera and decided on a yard stick to pick up this wee feisty one.

When I got close to it, the snake reared up, it's head looking triangular.....  mouth open.....

Great, a small viper on my door step.  Thank you, Lord for cold temperatures making for a slow, very small snake... Here I'd been thinking all the snakes were safely tucked away for the winter.
I didn't have too much trouble getting it to balance on the yardstick.  See it's triangular head?  I couldn't wait to deposit this guy in the thick grasses along the marsh so I could run back to the house and get out the Reptiles and Amphibians guide book.

You can click on the images for a larger view.
Look Ma, no hands!  What a show off.  I love how it's tail curls around it's body.
Ooops, it fell off the yardstick and immediately wanted to fight. Nice mouth, huh?
There you go, little feisty one. Slide down into the dense grass and get warm!

I looked at the guidebook under venomous snakes but I couldn't make a clear i.d. I thought perhaps it was a young cottonmouth but the tail coloring was all wrong for it's age.

I sent an email to my friend and Lowcountry Institute's education director, Tony Mills.
He loves snakes and reptiles and knows them cold!

Let me introduce you to a non-venomous, young
Yellow Rat Snake, Elaphe ovsoleta quadrivittata!  Thanks, Toni!

My guide book says it a common and characteristic snake of the great river swamps of the south. Also that when cornered in the field, many of these snakes literally stand up and fight, with the fore portion of the body reared upward, the head drawn back in an S-curve, and the mouth held open in readiness to strike!  Yup, this little guy had these mannerisms down pat!

Amazing how one can ignore the cold at times like these :)

Saturday, December 11, 2010

Pentel Sign Pen Test


Pentel Sign Pen Test
Originally uploaded by PJBee
Ooooooh, new art supplies :) Jennifer, owner of Coastal Art Supply, gifted me a set of Pentel Sign Pens.... colors!!!!

I took them out for a spin in the Pentalic Nature Sketch Book.

Back in March, I asked Jennifer if she could locate a black water soluble marker. She introduced me to the Pentel Sign Pen.  You may remember this test page. I love the cool gray color you get when you wet the marks.
Depending on how much you rinse your brush, you can achieve many shades of gray.

How excited I was to see that these pens came in colors!! All the pen tests in this post have been done in the Pentalic Nature Sketch sketchbook that contains 130# creamy paper.

Now, what subject to choose to really take these markers out for a spin? Is it possible to blend them like watercolors?

In good Pamela fashion, I chose what turned out to be a very challenging test. Go ahead. Jump right in, get your feet wet :)

I recently found a Sparkleberry, Vaccinium arboreum, shrub in my neighborhood. I love these shrub/small trees. This little specimen looked more like a small tree as there were no branches close to the ground. Sparkleberry (don't you just love the name?) has lovely little white flowers in the spring, that remind me of Lily of the Valley. The branches are crooked and twisted - catching my calligraphic eye. The leaves are tardily deciduous and in the fall turn a lovely redish purple that graces the glossy green leaves. And, the berries....... well, they truly sparkle!

Okay, I'm in love with this plant! Adoration is very important when trying to sketch or paint. Whatever it is that you are trying to capture on paper or canvas, must speak to you. Why? Because when your medium of choice challenges you, your love for the subject will drive you on to the completion. L O V E...... conquers all. Gets you through the rough times and makes your soul sing! Hmmmmm, even in art!

 Here is my first attempt. I enjoy creating quick watercolor sketches of plants and flowers. This rendition was anything but quick! I found that the marker ink soaked right into the paper and if I didn't add water quickly, color blending was very difficult.

Leaf by leaf I laid down a bit of green, raw sienna, red, pink, yellow and sometimes purple. Then I blended these strokes with a waterbrush. The trick was figuring out the placement of the marks. I didn't want the effect of outlined leaves. What worked best was putting the colors (2 or 3 at a time) at the base of the leaves then using the waterbrush to lift the ink and spread it into a leaf shape. And, just like watercolors, allowing the paint to dry between layers, was very important.

All in all, a bit more controlled than I like to be when painting. Sometimes, the paper would fuzz up - like when you scrub a bit too hard. But then when the paper dried, that effect seemed to disappear! I wasn't able to hold the lights. I also got a bit impatient.... see that dark blob in the center?

I used a brown Micron pen for the very fine branches and also for adding vein lines and shading in the leaves.

The classy vase is an old jelly jar/glass from Welches.

I want to try this subject again using hot press watercolor paper and Canson Edition paper. Love is driving me on :)