Coastal Art Supply, gifted me a set of Pentel Sign Pens.... colors!!!!
I took them out for a spin in the Pentalic Nature Sketch Book.
Back in March, I asked Jennifer if she could locate a black water soluble marker. She introduced me to the Pentel Sign Pen. You may remember this test page. I love the cool gray color you get when you wet the marks.
How excited I was to see that these pens came in colors!! All the pen tests in this post have been done in the Pentalic Nature Sketch sketchbook that contains 130# creamy paper.
Now, what subject to choose to really take these markers out for a spin? Is it possible to blend them like watercolors?
In good Pamela fashion, I chose what turned out to be a very challenging test. Go ahead. Jump right in, get your feet wet :)
I recently found a Sparkleberry, Vaccinium arboreum, shrub in my neighborhood. I love these shrub/small trees. This little specimen looked more like a small tree as there were no branches close to the ground. Sparkleberry (don't you just love the name?) has lovely little white flowers in the spring, that remind me of Lily of the Valley. The branches are crooked and twisted - catching my calligraphic eye. The leaves are tardily deciduous and in the fall turn a lovely redish purple that graces the glossy green leaves. And, the berries....... well, they truly sparkle!
Okay, I'm in love with this plant! Adoration is very important when trying to sketch or paint. Whatever it is that you are trying to capture on paper or canvas, must speak to you. Why? Because when your medium of choice challenges you, your love for the subject will drive you on to the completion. L O V E...... conquers all. Gets you through the rough times and makes your soul sing! Hmmmmm, even in art!
Leaf by leaf I laid down a bit of green, raw sienna, red, pink, yellow and sometimes purple. Then I blended these strokes with a waterbrush. The trick was figuring out the placement of the marks. I didn't want the effect of outlined leaves. What worked best was putting the colors (2 or 3 at a time) at the base of the leaves then using the waterbrush to lift the ink and spread it into a leaf shape. And, just like watercolors, allowing the paint to dry between layers, was very important.
All in all, a bit more controlled than I like to be when painting. Sometimes, the paper would fuzz up - like when you scrub a bit too hard. But then when the paper dried, that effect seemed to disappear! I wasn't able to hold the lights. I also got a bit impatient.... see that dark blob in the center?
I used a brown Micron pen for the very fine branches and also for adding vein lines and shading in the leaves.
The classy vase is an old jelly jar/glass from Welches.
I want to try this subject again using hot press watercolor paper and Canson Edition paper. Love is driving me on :)